You know that ice-breaker question, if you had a super-power, what would it be? I usually pick photosynthesis. I like my food, but just think of all the time it would free up: no more planning, sourcing, prepping, cooking and clearing up after meals. I could repurpose the kitchen cupboards as (yet more) bookshelves. I suppose I’d have to get used to green skin. That is less appealing, though anyone who wants to test my anger management skills by referring to my 5’1” frame as Hulk, give it a go. Although… in winter I am already a pale blue, which in summer becomes a startling white that reddens after twenty minutes beneath an overcast sky. I could adapt.
I hadn’t given much consideration to anxiety as a potential super-power. But now I think of it, residual traces of OCD in my system have likely helped keep me safe from Covid-19 these past twelve months. (For the record, I am NOT washing and sanitising my hands more than usual. We don’t all begin on the same starting-line: some of us are further round the bend than others.) But perhaps a long-term relationship with anxiety has put me in the novel position of feeling like the sanest person in the room as repeated lockdowns wreak havoc with the mental health of the populace at large. I have accidentally been in training for this for years.
And then I was awarded this mentoring opportunity. I was indeed anxious at the prospect of discussing my poems, in detail, with Pascale. Actually, I was anxious enough to wake at 5am for a 3pm Zoom meeting. But when everything has the potential to trigger the anxiety response, facing something properly scary doesn’t necessarily become the grand drama it would otherwise be.
Pascale is thorough! I’d sent her 25 poems and she talked about each one. I was delighted (if ‘delighted’ is a synonym for ‘incredulous’) when she called a handful of them ‘stunners’ and said she had no improvements to suggest. She talked me through some writing exercises I might try, for generating new work. And then we spent the rest of the three hours discussing how best to edit and improve ‘good’ poems. Primarily by being less abstract and removing anything that hinders the rapidity of the line (and by not introducing famous painters halfway through a poem only to drop them two lines later. Or having a seagull utter a phrase stolen from the mouth of a tetchy academic. How to goodness did I not notice those howlers?! The horror!) I had no idea how I would respond to having my work critiqued. Pascale did so with good humour, sensitivity and care. By the end of the three hours, I was mentally exhausted but emotionally buoyant. It is such a privilege to see my poems through her eyes. And as for hearing her read them back to me… .
Since then I have read through Pascale’s notes and made a rough schedule for ‘fixing’ those poems. I wrote a (terrible) draft of a poem using only one vowel (from one of Pascale’s exercises). I started two new pieces. I realised the enormity of the task ahead of me and felt briefly overwhelmed but mostly excited. I have so much work to do! I stepped into the unknown and booked a series of six poetry workshops.
I also sent two stories to Stroud Short Stories, one of which went on to be longlisted while the other was chosen to be broadcast on YouTube on 9th May. I have been invited to record it at the Cotswold Playhouse later this month. I am delighted. Having my story chosen and reading at SSS’s event in November 2019 was a turning point for me. It was a timely and much needed confirmation that I might actually be quite good at this writing malarkey. I was also astonished to discover that, despite threatening to go out-of-body with nerves (I was the ninth of ten readers that night), I loved being on stage and reading to an audience. Good memories, and positive things to take forward.