Reading Wrap-Up: September 2018

This month’s highlights:

Bee Journal by Sean Borodale. “You are not fully ordinary, bees.” I wasn’t sure I would enjoy this documentation of bee-keeping: poet Alice Oswald calls them, not disparagingly, pre-poems and note poems (of which I have a deskful of my own: finish the things, damn it!). I loved it! Here we have the mundane and the mysterious inseparable from each other, with a sense of immediacy throughout.

I opened the jar of honey I bought on holiday and sipped a little from a teaspoon. After reading these poems it tasted no less than a bee-spit sacrament.

The Great Passage by Shion Miura, translated from Japanese by Juliet Winters Carpenter. In which a small team of lexicographers compile and publish a dictionary over fifteen years. Sounds dry? Not in the least! It’s delightful: a feel-good book without saccharine or fluff. I enjoyed the contrast between Majime’s precision and exhaustive referencing with the definition of words and his ineptitude with the spoken word. As for his love letter, it is at once unintentionally funny and painful.

Neverwhere by Neil Gaiman, illustrated by Chris Riddell. If the truth be told, London Above is scarcely less baffling and stressful to me than London Below is to Richard, a hapless everyman who finds himself in mortal peril in a world he didn’t suspect even existed. This is the first I’ve read of Neil Gaiman. I enjoyed it very much and didn’t want it to end. It has fascinating ideas, great characters, humour amongst the deadly serious bits, and plentiful illustrations in the margins. What more could I ask? Well, maybe more of the splendidly awful Mr Croup, an utter savage who speaks as though he digested a Stephen Fry vocabulary-builder at a formative age.

This month’s disappointments:

Ink by Alice Broadway. So, tattooing of significant life events is compulsory and, after death, one’s skin is made into a book to be honoured or publicly burned. Add a charismatic leader ramping up fear of the other and exhorting a return to “traditional values”. It had me feeling so tense at the start but as I kept turning the pages, that tension wasn’t sustained or adequately resolved and the book failed to deliver on its promise. Regrettably, it reads as though Broadway spent the bulk of her writing and editing time on the opening chapters with the rest being all rather “meh” with a headlong dash to the finish, where it becomes apparent that this is volume one of a trilogy. I won’t be reading on.

I spent too much money again although, in fairness, three of the books were bought during a special occasion day out (and two of those had been on my wishlist for some time). The other two I bought after first borrowing copies from the library. Poetry.