Reading wrap-up: April 2019

Highlights

Unsheltered by Barbara Kingsolver. Published by Faber, 2018. I read the e-book, borrowed from the library on Overdrive.

Well, this is a conundrum! It’s the second of her novels that I have read and, once again, I might have expected to hate it but actually loved it. Why? I cannot abide being bludgeoned with a lecture in a novel and Kingsolver landed many a hefty didactic punch. And yet, reading her, I feel that I am in a safe pair of hands. I have yet to get to the bottom of why I will allow her to preach so. Is it because of her characters? Is it the satisfying patterning of her prose?

Alternating the chapters through two protagonists runs the risk of disrupting the story’s flow and frustrating (or at least compromising) the reader’s engagement. I quickly became engrossed in both parallel stories: contemporary Willa and 19th Century Thatcher Greenwood both learn that this house they have “inherited” and are living in is literally without foundations. In short order their lives begin to fall around their ears, with their personal catastrophes playing out within the family, the wider community and ultimately on a worldwide scale… and back to the personal again.

To be sheltered is to be safe, or to be protected from harsh realities (which itself may be a culpable privilege). To be unsheltered may be a terrifying and potentially fatal exposure to the elements. Or it could be the source of freedom.

Disappointments

Answering Back: Living Poets Reply to Poetry of the Past edited by Carol Ann Duffy. Published by Picador, 2008. I read the paperback, borrowed from the library.

Fifty contemporary poets respond to a poem of their choice: what a great idea! As with all anthologies there are hits and misses. I regret to conclude that in many cases the original poem was the stronger of the two and the smirking smart-arse school of poetry was over-represented. I found myself thinking of the Salvator Rosa self-portrait whose Latin motto (loosely!) translates as “either say something better than silence or shut the hell up”.

It is worth reading, though, for the clutch of excellent poems and it is always good to be introduced to poets I would not otherwise have read.

 

 

 

 

 

 

Reading wrap-up: March 2019

A month in which my book-buying ban went all to blazes.

Highlight

The Overstory by Richard Powers. Oh, this book! Shortlisted for the Booker Prize, it would have been  my winner. Everyone I know who has loved it has said, “I’ll never look at trees the same way again!” I think I will never quite look at people the same way again. I don’t recall my ever being someone for whom humans are the only (or even, at times, the primary) species of interest. This book made me weep with rage, frustration and inconsolable sadness. But that’s not to say I didn’t love it. I enjoyed following the seemingly separate narratives as they came together. I felt for the characters (human and arboreal) through what came next. I appreciated having plenty to think about. It was so worth the four months I had to wait for it from the library.

Disappointment

(Not the book as a whole, which I actually enjoyed, but a particular aspect of it.) Witch Light by Susan Fletcher. Corrag is a solitary girl with a knowledge of herbs. She is also a witness to the Glencoe massacre. Put the two together and she’s set to be burnt for a witch. She is, quite simply, in love with life, however difficult and dangerous, and likewise with the natural world. I loved the vivid descriptions of her moment-to-moment experience of the Highlands. The actual love story felt superfluous, as though the author lacked confidence in Corrag as a sufficiently interesting character without having her sighing over a Jamie Fraser-alike. A disappointment, then, in a book that otherwise has much to recommend it.

Reading Wrap-up: October 2018

A month in which I stuck to my book-buying ban and made good use of the Poetry Library’s online collection.

Highlights

The Letters of Vincent Van Gogh. I’ve chosen this as my pick of the month (though Burial Rites is a close second) as I think it is the one that will stay with me the longest.

“To succeed, to enjoy lasting good fortune, one must have a different temperament from mine. I shall never do what I could have done and ought to have wanted and pursued.”

Vincent, friend, you did all right! These are fascinating letters which, naturally, give great insight into his art and what it meant to him but which also show him and his work interacting within a wider context than that of the isolated madman of his “mythology”. He comes across as a driven and difficult individual, yes, but also a deeply thoughtful and vitally involved one. The collected letters are simultaneously heart-breaking and affirming.

Burial Rites by Hannah Kent. The story of Agnes Magnusdottir, the last person to be executed in Iceland, for the murder of her lover/employer. I was astonished to learn that this was a debut novel, and will definitely look out for more of hers. I thought there were striking parallels (e.g. the nature of the crime committed, the circumstances and ambiguity of the woman found guilty) between this book and Margaret Atwood’s Alias Grace but, while Atwood is undeniably clever, I feel that Kent’s book has more heart: the last chapter, especially, made for difficult reading.

Disappointments

The Canterbury Tales: a Retelling by Peter Ackroyd. I enjoyed Chaucer very much when I first encountered him, many years ago: here’s the cast of lively characters that I remember, with a host of boisterous tales to tell. I still enjoy Chaucer (and one day will re-read the original). Twenty and more years ago I loved everything I read by Peter Ackroyd so was looking forward to a treat: what a disappointment! Why? In a word, misogyny. Whether of the casual or deliberate kind, there’s no let up. The characters, Chaucer and Ackroyd all fall back on “no offence intended: just repeating what I heard” and while this may be accepted as par for the course in Middle English verse, in contemporary English prose the effect is harder to stomach.

The male characters reveal themselves by their words and behaviour as blusterers and blatherskites (Chaucer has a laugh at everyone’s expense, his own included) but the constant harping on the failings of women in a modern voice is at first irritating and then cumulatively demoralising. That’s not my idea of entertainment.

Letters Against the Firmament by Sean Bonney. Written against a backdrop of “austerity” and other Tory doublespeak, I get the rage, I really do. But, for me, this collection is an example of what happens to poetry when it is disembodied, so to speak, when the idea becomes paramount. And it reads as though written not from a need to communicate but to enjoy the big, shocking sound of its voice bouncing off the walls.  The result is phrasing such assertions as: There is no prosody, there is only a scraped wound – we live inside it like fossilised, vivisected mice. Well that’s certainly a striking and nasty image but what on Earth does it MEAN? Anything? Imagine putting hours of machine gun fire into Google Translate: there you have it.

Reading Wrap-Up: September 2018

This month’s highlights:

Bee Journal by Sean Borodale. “You are not fully ordinary, bees.” I wasn’t sure I would enjoy this documentation of bee-keeping: poet Alice Oswald calls them, not disparagingly, pre-poems and note poems (of which I have a deskful of my own: finish the things, damn it!). I loved it! Here we have the mundane and the mysterious inseparable from each other, with a sense of immediacy throughout.

I opened the jar of honey I bought on holiday and sipped a little from a teaspoon. After reading these poems it tasted no less than a bee-spit sacrament.

The Great Passage by Shion Miura, translated from Japanese by Juliet Winters Carpenter. In which a small team of lexicographers compile and publish a dictionary over fifteen years. Sounds dry? Not in the least! It’s delightful: a feel-good book without saccharine or fluff. I enjoyed the contrast between Majime’s precision and exhaustive referencing with the definition of words and his ineptitude with the spoken word. As for his love letter, it is at once unintentionally funny and painful.

Neverwhere by Neil Gaiman, illustrated by Chris Riddell. If the truth be told, London Above is scarcely less baffling and stressful to me than London Below is to Richard, a hapless everyman who finds himself in mortal peril in a world he didn’t suspect even existed. This is the first I’ve read of Neil Gaiman. I enjoyed it very much and didn’t want it to end. It has fascinating ideas, great characters, humour amongst the deadly serious bits, and plentiful illustrations in the margins. What more could I ask? Well, maybe more of the splendidly awful Mr Croup, an utter savage who speaks as though he digested a Stephen Fry vocabulary-builder at a formative age.

This month’s disappointments:

Ink by Alice Broadway. So, tattooing of significant life events is compulsory and, after death, one’s skin is made into a book to be honoured or publicly burned. Add a charismatic leader ramping up fear of the other and exhorting a return to “traditional values”. It had me feeling so tense at the start but as I kept turning the pages, that tension wasn’t sustained or adequately resolved and the book failed to deliver on its promise. Regrettably, it reads as though Broadway spent the bulk of her writing and editing time on the opening chapters with the rest being all rather “meh” with a headlong dash to the finish, where it becomes apparent that this is volume one of a trilogy. I won’t be reading on.

I spent too much money again although, in fairness, three of the books were bought during a special occasion day out (and two of those had been on my wishlist for some time). The other two I bought after first borrowing copies from the library. Poetry.